Anonymous said: Towards the whole "pronouns hurt people's feelings" topic. Am I REALLY the only person on the planet that thinks people are becoming far to sensative? Nearly to the point that they shouldn't leave their little home bubbles in the case that a bird chirps next to them in a way that sounds like a mean word. Maybe, JUST MAYBE, we're becoming a little TOO coddling and people need to learn to deal with simplistic shit like words. And yes, I've been insulted and made fun of. I got over it. So can you.
Supposedly invented by the Chinese, there is an ancient form of torture that is nothing more than cold, tiny drops falling upon a person’s forehead.
On its own, a single drop is nothing. It falls upon the brow making a tiny splash. It doesn’t hurt. No real harm comes from it.
In multitudes, the drops are still fairly harmless. Other than a damp forehead, there really is no cause for concern.
The key to the torture is being restrained. You cannot move. You must feel each drop. You have lost all control over stopping these drops of water from splashing on your forehead.
It still doesn’t seem like that big of a deal. But person after person, time and time again—would completely unravel psychologically. They all had a breaking point where each drop turned into a horror. Building and building until all sense of sanity was completely lost.
"It was just a joke, quite being so sensitive."
"They used the wrong pronoun, big deal."
"So your parents don’t understand, it could be worse."
Day after day. Drop after drop. It builds up. A single instance on its own is no big deal. A few drops, not a problem. But when you are restrained, when you cannot escape the drops, when it is unending—these drops can be agony.
People aren’t sensitive because they can’t take a joke. Because they can’t take being misgendered one time. Because they lack a thick skin.
People are sensitive because the drops are unending and they have no escape from them.
You are only seeing the tiny, harmless, single drop hitting these so-called “sensitive” people. You are failing to see the thousands of drops endured before that. You are failing to see the restraints that make them inescapable.
Anonymous said: honestly curious, why does it offend you?
i see lucy as a racist film that plays on negative stereotypes while hiding behind the cover of (white) feminism.
all this film has done is switch out the white man for a white woman. it’s still a film about a white person getting violated by the evil poc, then gaining power and wiping them out.
here’s 2 of my favourite scenes from the trailer:
from top to left to right:
KEEP CLEAN 保持清潔，APPLE 蘋果，ONION 洋蔥，GRAPE 葡萄，CHAIR 椅子，TOMATO 番茄
traditional chinese is an actual written language used by millions of people, not symbols to be thrown around at the whim of set designers because they look cool and idk, serves to create a menacing asian atmosphere. this is so disrespectful, and made even worse by the fact that this film in set it taipei, taiwan where the official written language is traditional chinese.
it doesn’t matter that this film caters to a primarily “white” audience who won’t be able to read it, the language and culture of taiwan isn’t something for you to twist and use as you deem fit because it’s “exotic.”
lucy shoots a guy for not being able to speak english.
she l i t e r a l l y shoots this taiwanese taxi driver, in taiwan for not being able to speak english. she’s in taipei and she’s shooting people as they are of no use to her because they don’t speak english.
just think about the sort of message that’s sending out. she’s not being “bad-ass strong female character who takes no shit,” she’s saying that english is useful and better. this is the type of harmful ideology that stretches all the way back from when western countries were colonising and forcing their language and customs on other countries.
let me explain with a real life example. i was born in new zealand to two taiwanese parents. i am fluent in english, but mandarin is conversational at best. my friends in taiwan say that i am “so lucky” to speak fluent english, when they are fluent in mandarin and their english level is no worse than my mandarin. they tell me that they want to perfect their english but in the same breath tell me that mandarin isn’t worth perfecting because i have english and that’s “enough”. they also tell me how pretty my white friends are when they see pictures.
this is the type of neo imperialism ideology that they’ve grown up buying into. it honestly hurts and frustrates me that they belittle their own culture like this, honestly believing that the western world is superior. this is the type of neo imperialism ideology that this film (hopefully unintentionally) promotes: white people are better and will save the day.
if they wanted to film a movie about a white women getting back at those who had violated her, why not film it in a western country? if they wanted to film it in taiwan, why not find an asian lead actress?
i do agree that we need more women protagonists in action/superhero movies, but not like this. its not okay that the female lead needs to be kidnapped and have her body cut open without her consent in order to gain her powers, and those said those powers do not make any of this racist bullshit okay.
i am just so tired and angry of poc always being brushed off to the side as either props or villains in mainstream media.
as a poc, it’s so frustrating to see that the of the standard of beauty still white women when we live in multi-cultural societies and a diverse world.
feminism is about equality. a film in which poc are presented as evil and inferior before being killed off by a superior white woman does not promote equality.
If you don’t know who Johnnie Tillmon was, look her up.
Welfare is a Women’s Issue (1972) by Johnnie Tillmon
I’m a woman. I’m a black woman. I’m a poor woman. I’m a fat woman. I’m a middle-aged woman. And I’m on welfare.
In this country, if you’re any one of those things you count less as a human being. If you’re all those things, you don’t count at all. Except as a statistic.
I am 45 years old. I have raised six children. There are millions of statistics like me. Some on welfare. Some not. And some, really poor, who don’t even know they’re entitled to welfare. Not all of them are black. Not at all. In fact, the majority-about two-thirds-of all the poor families in the country are white.
Welfare’s like a traffic accident. It can happen to anybody, but especially it happens to women.
And that’s why welfare is a women’s issue. For a lot of middle-class women in this country, Women’s Liberation is a matter of concern. For women on welfare it’s a matter of survival.
Survival. That’s why we had to go on welfare. And that’s why we can’t get off welfare now. Not us women. Not until we do something about liberating poor women in this country.
Because up until now we’ve been raised to expect to work, all our lives, for nothing. Because we are the worst educated, the least-skilled, and the lowest-paid people there are. Because we have to be almost totally responsible for our children. Because we are regarded by everybody as dependents. That’s why we are on welfare. And that’s why we stay on it.
Welfare is the most prejudiced institution in this country, even more than marriage, which it tries to imitate. Let me explain that a little.
Ninety-nine percent of welfare families are headed by women. There is no man around. In half the states there can’t be men around because A.F.D.C. (Aid to Families With Dependent Children) says if there is an “able-bodied” man around, then you can’t be on welfare. If the kids are going to eat, and the man can’t get a job, then he’s got to go.
Welfare is like a super-sexist marriage. You trade in a man for the man. But you can’t divorce him if he treats you bad. He can divorce you, of course, cut you off anytime he wants. But in that case, he keeps the kids, not you.The man runs everything. In ordinary marriage, sex is supposed to be for your husband. On A.F.D.C., you’re not supposed to have any sex at all. You give up control of your own body. It’s a condition of aid. You may even have to agree to get your tubes tied so you can never have more children just to avoid being cut off welfare.
The man, the welfare system, controls your money. He tells you what to buy, what not to buy, where to buy it, and how much things cost. If things-rent, for instance-really cost more than he says they do, it’s just too bad for you. He’s always right.
That’s why Governor [Ronald] Reagan can get away with slandering welfare recipients, calling them “lazy parasites,” “pigs at the trough,” and such. We’ve been trained to believe that the only reason people are on welfare is because there’s something wrong with their character. If people have “motivation,” if people only want to work, they can, and they will be able to support themselves and their kids in decency.
The truth is a job doesn’t necessarily mean an adequate income. There are some ten million jobs that now pay less than the minimum wage, and if you’re a woman, you’ve got the best chance of getting one. Why would a 45-year-old woman work all day in a laundry ironing shirts at 90-some cents an hour? Because she knows there’s some place lower she could be. She could be on welfare. Society needs women on welfare as “examples” to let every woman, factory workers and housewife workers alike, know what will happen if she lets up, if she’s laid off, if she tries to go it alone without a man. So these ladies stay on their feet or on their knees all their lives instead of asking why they’re only getting 90-some cents an hour, instead of daring to fight and complain.
Maybe we poor welfare women will really liberate women in this country. We’ve already started on our own welfare plan. Along with other welfare recipients, we have organized so we can have some voice. Our group is called the National Welfare Rights Organization (N.W.R.O.). We put together our own welfare plan, called Guaranteed Adequate Income (G.A.I.), which would eliminate sexism from welfare. There would be no “categories”-men, women, children, single, married, kids, no kids-just poor people who need aid. You’d get paid according to need and family size only and that would be upped as the cost of living goes up.
As far as I’m concerned, the ladies of N.W.R.O. are the front-line troops of women’s freedom. Both because we have so few illusions and because our issues are so important to all women-the right to a living wage for women’s work, the right to life itself.
still relevant today
Black feminism fighting for justice!
If you scrolled past to here, scroll back up and read that.
“BLACK AMERICANA: The Photo-Essay”
Vol. 1 - Island in the Sun
“Black Americana” is a four part photo-essay presenting a commentary on Black American life and patriotism.
When we weren’t marching, dodging fire hoses, and police dogs biting at our brown skin – when we weren’t singing songs of freedom, and training how to peacefully resist in southern sit-ins, we were doing what other Americans did – we went to the beach. “Island in the Sun”, a first installment in the ground-breaking series “Black Americana” re-introduces, and reclaims the image – the representation of free Black women and men living their lives openly and beautifully. The series seeks to offer a broader lens of Black American life not often seen – a restoration of Black bodies on a summer day in 1950’s America. “The beach setting is significant.” says Brandon Littlejohn, Creative Producer of “Black Americana”. “Beaches are visually associated with affluence in urban areas because of Black people’s limited access.” Littlejohn continues, “I wanted to capture Black young women and men in these spaces, because after all, this was a reality for Black people during this time.” This is the other side of the southern Black domestic worker; the other side of the Black male porter. This too was Black American life, in all of its splendor.
- Geneva S. Thomas
Creative Producer - Brandon Littlejohn
Photographer - Rod Gailes OBC
Wardrobe Design - Jamari Walker
Makeup Design - Dominique Jenelle
Hair Design - Shirlonda Brailsford
Casting - Latrice Davis
Women’s Bathing Suits designed by D’ Angelo Scott
Creative Producer, Brandon Littlejohn, and Photographer, Rod Gailes OBC, are collaborating to create a brilliant four-part photography series that showcases classic American settings through an Afro-Elite lens. The “Black Americana” series encourages African Americans to challenge societal messages about Blackness, while aspiring to higher levels of art and education on their own terms. Creating opportunities in the creative industry via a collective effort and artistically challenging the way African Americans have been conditioned to see themselves are two main goals of the “Black Americana” series.
-Taylor N. Lewis
This is how me and my family are living these months.
My mom has a great job but doesn’t make enough to support all five of us. She’s working extra hours but it isn’t enough and with school starting for my brothers and them needing over priced uniforms, we’ve all reached the end of our rope.
On top of this, my mom also has diabetes and sometimes has trouble getting the money for her medication. And as people who have/are dealing with this kind of disease you know that everything is so much more harder for her. When she gets a paper cut it can last a month and when she gets caught in the rain, she is guaranteed to get sick and as she says so many times “[she] cannot afford to get sick”.
Right now we are trying to move from this house into a smaller, more affordable one but the chances of that happening anytime soon are dwindling. In addition to this, my mom wants to visit our sick grandfather in New York who has multiple myeloma. If anyone who has heard of this would know that it affects your organs and there is no cure for it. We are all hoping for one last visit before he passes on.
I’m asking that you please help us. I don’t like this life for my brothers who have to wonder if it was okay that they are ramen for breakfast or that my mother can’t see her father one last time. Anything and everything you donate will be used to help my brothers and mother have an easier more enjoyable life.
SIGNAL BOOST THIS PLEASE